METHODIC DOUBT MUSIC DOWNLOAD

Our movie trailer and video game advertising work continues on steadily. Fund and work on your project through our secure platform. There are opportunities to watch advance cuts of each episode, but I make an effort to avoid watching those as much as possible until it's time to start writing. I really love working with Brian. Read some more of our coverage of Cinemax's exciting series Banshee here! It was a pleasure working with Brian. I went to law school and after my first year, decided it wasn't the path for me.

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It's especially easy to get lost in the woods when it's 3AM and you've been staring at a screen for 18 hours trying to meet a delivery deadline! Greg Yaitanes Banshee 's showrunner gives direction on what his intended goals are with the music in each scene and what emotions he'd like the music to convey.

Brian Gocher (Methodic Doubt) - Los Angeles | SoundBetter

World-class music and production talent at your fingertips. He's a great communicator, composer, and all-around professional.

We first crossed paths in the trailer world, where we became friends and started writing music together. I quit law school because I wanted to be passionate about the work I was doing. I ended up interning and later working for an indie record label and in music publishing, with no real intention of creating music.

When you watch a scene potentially hundreds of times it's important to capture that initial push of emotion, as that first impression metuodic quickly get distorted once you get caught up in the more technical aspects of scoring.

I'd love to hear about your project. The show has such a unique blend of characters and elements it's really hard to draw comparisons.

I really love working with Brian. Login with Facebook We will never post to your facebook. I confirm that the information submitted here is true and accurate.

Banshee 's been a scrappy underdog from the start and we're all very proud of what we've been able to achieve with the show.

I commit jusic 5 months of my life each year to BansheeI think you doubg to be a fan of what you're working on to make it through the grind. There's definitely a raw emotional element that's integral to the scoring process. It was a pleasure working with Brian. There are opportunities to watch advance cuts of each episode, but I make an effort to avoid watching those as much as possible until it's time to start writing. I would recommend them to anyone. I had such a great time working with him!

To be honest there haven't been many direct outside musical influences on Banshee 's score. What a great experience!

Methodic Doubt Music

Get Free Proposals Contact pros directly with your project details and receive methovic proposals and budgets in a flash.

While doubf, do you just add in what you think works or is it more structured than that? Do you relate to these feelings when you're scoring mussic that involve them, or do you have another strategy to convey these emotions in your music? If anything we're influenced by our own musical tastes and whatever we're listening to at the moment - trip hop groups like Massive Attack and Portishead, and post-rock acts like Mogwai, Sigur Ros and Godspeed you Black Emperor have probably had a greater influence on us more than we'd care to admit.

Working with Brian was a pleasure! Like any other job there are headaches and frustrations, but we're fortunate to be in a position where we can make a living off of music in a time when many musicians struggle to do so. Contact pros directly with your project details and receive handcrafted proposals musi budgets in a flash.

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Greg has been very supportive and hands-off with the score since day one, he's placed a great deal of trust in us and gives us space to do our own thing - which is a rarity in the scoring world. Really straight forward and knew what he wanted.

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During that time, there were opportunities that would come up to demo songs for commercials and movie trailers, so I would work my day job at the label, then go home and stay up all night demo'ing songs at my methoduc table with a laptop and a cheap guitar. Fortunately we were able to establish a general ballpark tone for some of methoidc main elements of the show early on, so it's largely been a matter of building on that base rather than looking outward.

In general, as composers we don't really look to current film or TV scores for influence, as talented as Hans Zimmer and his crew are we're not really interested in sounding like them.